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B. Howard
PostPosted: Tue Oct 29, 2013 12:26 pm 
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Here are a few pics of some of the guitars I took to Woodstock this year. This first is a Dreadnaught done in Adirondack and Mahogany. the back is amazing.
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B. Howard
PostPosted: Tue Oct 29, 2013 12:31 pm 
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This one is a Grand Auditorium done in Engleman and Black Limba. The Bridge, pins,fretboard,head veneer and bindings were all sawn from the same piece of bocote. It has green abalone border and rosette.

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Chris Pile
PostPosted: Tue Oct 29, 2013 1:22 pm 
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Both are droolworthy.

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Alex Kleon
PostPosted: Tue Oct 29, 2013 1:54 pm 
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The back of the dread looks like the Shroud of Turin! Both guitars look great, Brian. The book matched bocote FB and head plate are a nice bit of detail.

Alex

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sdsollod
PostPosted: Tue Oct 29, 2013 3:13 pm 
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Brian,
The bocote and black limba look awesome together. Really nice purfling and rosette. Great job!

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James W B
PostPosted: Tue Oct 29, 2013 5:12 pm 
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real sweet

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SteveSmith
PostPosted: Tue Oct 29, 2013 5:15 pm 
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Nice, nice, nice!!

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George L
PostPosted: Tue Oct 29, 2013 6:03 pm 
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Yes! Very creative work. I like the extra touch of bookmatching various elements as well. Nicely done! I hope the show was a success for you.

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Tony_in_NYC
PostPosted: Wed Oct 30, 2013 11:53 am 
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Gorgeous guitars! Do you make your own purfling? I like it a lot. Looks like maple/mahogany/maple, am I right? Beautiful work all around.

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Kent Wilkinson
PostPosted: Wed Oct 30, 2013 4:35 pm 
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The frets are amazing. Can you tell us about them.
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Linus
PostPosted: Wed Oct 30, 2013 7:20 pm 
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Gorgeous.
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B. Howard
PostPosted: Wed Oct 30, 2013 8:27 pm 
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Yep Tony, I make my own wood bindings and purflings. Both of these are purfled with Mahogany and Maple, the scheme is just reversed from one to the other.

The frets on the Dread are EVO alloy and the ones on the other are Nickle. They are dressed and polished as I always do. I like frets that shine like mirrors, I think they feel better and sound better.

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Robbie_McD
PostPosted: Wed Oct 30, 2013 10:26 pm 
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That mahogany back looks like a roaring fire - amazing!
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Joe Beaver
PostPosted: Thu Oct 31, 2013 12:15 am 
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Outstanding design and workmanship Brian!!! Well done my friend [clap]

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DennisK
PostPosted: Thu Oct 31, 2013 3:23 am 
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Very nice! The tops are a bit yellow for my taste, but the backs are gorgeous :) I've always liked that type of crotch figure in mahogany, but never seen it on a guitar before.

I love the rosette on the second one. Is that just your collection of abalone offcuts placed in the channel and then drowned in black CA?

And you took these to Woodstock... but did you bring them back? :D
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B. Howard
PostPosted: Thu Oct 31, 2013 4:09 am 
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The original idea on the rosette was to use my cut offs that I have been saving......that didn't work out so well and I wound up cutting all those random pieces.

And yes, I did bring them home, so if anyone is interested......

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DannyV
PostPosted: Thu Oct 31, 2013 11:04 am 
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Nice work Brian. Really nice the way everything ties together. Do you use buffing wheels in a Dremel to get the fret shine?

Danny
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B. Howard
PostPosted: Thu Oct 31, 2013 11:17 am 
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The frets are polished with the 3m polishing cloths from stew Mac. http://www.stewmac.com/shop/Finishing_s ... Sandpapers,
_finishing_papers/3M_Flexible_Polishing_Papers.html

I wrap them around an eraser.

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Beth Mayer
PostPosted: Thu Oct 31, 2013 4:41 pm 
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Really beautiful! I'm not a huge fan of dreads, but love the wood choices and fit and finish of yours. I bet they sound beautiful!!
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Tai Fu
PostPosted: Thu Oct 31, 2013 8:02 pm 
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I took the '54 Stratocaster to Woodstock and slammed it on the stage then set fire to it...

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Nick Royle
PostPosted: Thu Oct 31, 2013 8:55 pm 
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The book matched bocote FB and head plate are a nice bit of detail.

+1
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